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Necronomicon

What Is the Necronomicon....

The Necronomicon of Alhazred, (literally: "Book of Dead Names") is not, as is popularly believed, a grimoire, or sorcerer's spell-book. It was conceived as a history, and hence "a book of things now dead and gone". An alternative derivation of the word Necronomicon gives as its meaning "the book of the customs of the dead", but again this is consistent with the book's original conception as a history, not as a work of necromancy. The author of the book shared with Madame Blavatsky a magpie-like tendency to garner and stitch together fact, rumour, speculation, and complete balderdash, and the result is a vast and almost unreadable compendium of near-nonsense which bears more than a superficial resemblance to Blavatsky's The Secret Doctrine.

In times past the book has been referred to guardedly as Al Azif , and also The Book of the Arab. Azif is a word the Arabs use to refer to nocturnal insects, but it is also a reference to the howling of demons (Djinn). The Necronomicon was written in seven volumes, and runs to over 900 pages in the Latin edition. The book is best known for its antediluvian speculations. Alhazred appears to have had access to many sources now lost, and events which are only hinted at in Genesis or the apocryphal Book of Enoch, or disguised as mythology in other sources, are explored in great detail. Alhazred may have used dubious magical techniques to clarify the past, but he also shared with the 5th. century B.C. Greek writers such as Thucydides a critical mind, and a willingness to explore the meanings of mythological and sacred stories. His speculations are remarkably modern, and this may account for his current popularity.

He believed that many species besides the human race had inhabited the Earth, and that much knowledge was passed to mankind in encounters with beings from "beyond the spheres" or from "other spheres". He shared with some Neoplatonists the belief that the stars are similar to our sun, and have their own unseen planets with their own lifeforms, but elaborated this belief with a good deal of metaphysical speculation in which these beings were part of a cosmic hierarchy of spiritual evolution.

He was also convinced that he had contacted beings he called the "Old Ones" using magical invocations, and warned of terrible powers waiting to return to re-claim the Earth. He interpreted this belief (most surprisingly!) in the light of the Apocalypse of St. John, but reversed the ending so that the Beast triumphs after a great war in which the earth is laid waste. Original title Al-Azif -- azif being the word used by theArabs to designate that nocturnal sound (made by insects) supposed to be the howling of daemons.

Composed by Abdul Al-Hazred, a mad poet of Sanaa, in Yemen,who is said to have flourished during the period of the Ommiade caliphs, circa 700 A.D. He visited the ruins of Babylon and the subterranean secrets of Memphis and spent ten years alone in the great southern desert of Arabia - the Roba al Khaliyeh, or "Empty Space" of the ancients and "Dahma" or "Crimson" desert of the modern Arabs, which is held to be inhabited by protective evil spirits and monsters of death.

Of this desert many strange and unbelievable marvels are told by those who pretend to have penetrated it. In his last years, Al-Hazred dwelt in Damascus, where the Necronomicon (Al Azif) was written, and of his final death or disappearnce (738 A.D.) many terrible and conflicting things are told. He is said by Ebn Khallikan (12th century biographer) to have been seized by an invisible monster in broad daylight and devoured horribly before a large number of fright-frozen witnesses. Of his madness many things are told. He claimed to have seen the fabulous Irem, or City of Pillars, and to have found beneath the ruins of a certain nameless desert town the shocking annals and secrets of a race older than mankind. He was only an indifferent Moslem, worshipping unknown deities whom he called Yog-Sothoth and Cthulhu.

In A.D. 950 the Azif, which had gained a considerable though surreptitious circulation amongst the philosphers of the age, was secretly translated into Greek by Theodorus Philetas of Constantinople under the title Necronomicon. For a century it impelled certain experimenters to terrible attempts, when it was suppressed and burnt by the patriarch Michael. After this it is only heard of furtively, but Olaus Wormius (1228) made a Latin translation later in the Middle Ages, and the Latin text was printed twice - once in the 15th century in blackletter (evidently in German) and once in the 17th (probably Spanish); both editions being without identifying marks, and located as to time and place by internal typographic evidence only. The work, both Latin and Greek, was banned by Pope Gregory IX in 1232, shortly after its Latin translation, which called attention to it.

The Arabic original was lost as early as Wormius' time, as indicated by his prefatory note (there is, however, a vague account of a secret copy appearing in San Francisco during the present century but later perishing by fire); and no sight of the Greek copy - which was printed in Italy between 1500 and 1550 - has been reported since the burning of a certain Salem man's library in 1692. An English translation made by Dr. [John] Dee was never printed, and exists only in fragments recovered from the original MS. \par Of the Latin texts now existing one (15th century) is known to be in the British Museum under lock and key, which another (17th century) is in the Bilbiotheque Nationale at Paris. A 17th century edition is in the Widener Library at Harvard, and in the Library of Miskatonic University at Arkham; also in the library of the University of Buenos Aires.

Numerous other copies probably exist in secret, and a 15th century one is persistently rumoured to form part of the collection of a celebrated American millionaire. A still vaguer rumor credits the preservation of a 16th century Greek text in the Salem family of Pickman; but if it was so preserved, it vanished with the artist R.U. Pickman, who disappeared early in 1926. The book is rigidly suppressed by the authorities of most countries, and by all branches of ornaised eccleciasticism. Reading leads to terrible consequences. It was from rumours of this book (of which relatively few of the general public know) that R.W.Chambers is said to have derived the idea of his early novel The King in Yellow.

The Necronomicon was written in Damascus in 730 A.D. by Abdul Alhazred. Who was Abdul Alhazred? \par Little is known. What we do know about him is largely derived from the small amount of biographical information in the Necronomicon itself - he travelled widely, from Alexandria to the Punjab, and was well read. He had a flair for languages, and boasts on many occasions of his ability to read and translate manuscripts which defied lesser scholars. His research methodology however smacked more of Nostradamus than Herodotus. As Nostradamus himself puts it in Quatrain 1 and Quatrain 2:

Sitting alone at night in secret study

it is placed on the brass tripod.

A slight flame comes out of the emptiness and makes which should not successful that be believed in vainof the tripod's .

The wand in the hand is placed in the middle foot.

A par t legs. With water he sprinkles both the hem of his garment and his voicenearby. ,fear;

he trembles in his robes. Divine splendour;

the god sits Just as Nostradamus used ritual magic to probe the futureused similar , so Alhazred techniques opium and (and an incense composed of olibanum, storax, dictamnus, hashishreferences, which ) to clarify the past, and it is this, combined with a lack of resulted in the Necronomicon being dismissed as largely worthless by historians. \was certainly eccentric par He is often referred to as "the mad Arab", and while he by modern standardsclaim of madness, (other , there is no evidence to substantiate a than a chronic inability to sustain a train of thought for more than a few paragraphs before leaping off at a tangentwith figures such as the Greek ).

He is better compared neowas completely at home in -platonist philosopher Proclus (410-485 A.D.), who astronomywas sufficiently well , mathematics, philosophy and metaphysics, but versed in the magical techniques of the urgy to evoke Hekate to visible appearance; he was also an initiate of Egyptian and Chaldean mystery religionsIt is no accident that . Alhazred was intimately familar with the works of Proclus.

Ye Old Ones and their Spawn The Old Ones were, the Old Ones are and the Old Ones shall be. From the dark stars They came ere man was born, unseen and loathsome They descended to primal earth. Beneath the oceans They brooded while ages past, till seas gave up the land, whereupon They swarmed forth in Their multitudes and darkness ruled the Earth.

At the frozen Poles They raised mighty cities, and upon high places the temples of Those whome nature owns not and the Gods have cursed. And the spawn of the Old Ones covered the Earth, and Their children endureth throughout the ages. Ye shantaks of Leng are the work of Their hands, the Ghasts who dwelleth in Zin's primordial vaults know Them as their Lords.

They have fathered the Na-Hag and the Gaunts that ride the Night; Great Cthulhu is Their brother, the shaggoths Their slaves. The Dholes do homage unto Them in the nighted vale of Pnoth and Gugs sing Their praises beneath the peaks of ancient Throk. They have walked amidst the stars and They have walked the Earth. The City of Irem in the great desert has known Them; Leng in the Cold Waste has seen Their passing, the timeless citadel upon the cloud-vieled heights of unknown Kadath beareth Their mark. Wantonly the Old Ones trod the ways of darkness and Their blasphemies were great upon the Earth; all creation bowed beneath Their might and knew Them for Their wickedness. And the Elder Lords opened Their eyes and beheld the abominations of Those that ravaged the Earth.

In Their wrath They set their hand against the Old Ones, staying Them in the midst of Their iniquity and casting Them forth from the Earth to the Void beyond the planes where chaos reigns and form abideth not. And the Elder Lords set Their seal upon the Gateway and the power of the Old Ones prevailest not against its might. Loathsome Cthulhu rose then from the deeps and raged with exceeding great fury against the Earth Guardians. And They bound his venomous claws with potent spells and sealed him up within the City of R'lyeh wherein beneath the waves he shall sleep death's dream until the end of the Aeon.

Beyond the Gate dwell now the Old Ones; not in the spaces known unto men but in the angles betwixt them. Outside Earth's plane they linger and ever awaite the time of Their return; for the Earth has known Them and shall know Them in time yet to come. And the Old Ones hold foul and formless Azathoth for Their Master abd Abide with Him in the black cavern at the centre of all infinity, where he gnaws ravenously in ultimate chaos amid the mad beating of hidden drums, the tuneless piping of hideous flutes and the ceaseless bellowing of blind idiot gods that shamble and gesture aimlessly for ever. The soul of Azathoth dwelleth in Yog-sothoth and He shall beckon unto the Old Ones when the stars mark the time of their coming; for Yog-sothoth is the Gate through which Those of the Void will re-enter.

Yog-sothoth knowest the mazes of of time, for all time is one unto Him. He knowest where the Old Ones came forth in time along long past and where They shall come forth again when the cycle returneth. After day cometh night; man's day shall pass, and They shall rule where They once ruled. As foulness you shall know them and Their accursedness shall stain the Earth. Ye Old Ones and Ancient Times will reveal ye Reader more about ye origins of Ye Old Ones and Their Foretold Future.

Incantation:

ZECKA-REBUS PRATCHI, RO'KAS

WELBREBOSDOS SATIGOC INRUT, YOTH

IMBRUT, ZECKA-REBUS YOTH! RO'KAS YOTH!

Make the Voorish Sign and burn the Incense of ZKAUBA.

Take up a brand of fire and facing to the West pronounce the words: BELUM OSAS GRIMSAL, BOGAD RITZAS, PEGVIER, LAZOZ IMBRUT, ZECKE-REBUS, YOTH!

Strike the brazen gong and as the sound dies from your ears the insect will attend you and enter the wound. The fly will dwell therein for one hundred and ninety days and from its decay shall rise the nine worms of ISCUXCAR which shall gnaw as instructed until naught remains but the essence.

If the Na-hags come forth banish them with the Elder Sign (which they fear greatly) and bar their return with the Amulet Of Iron.

Thus prepared, the essence may be offered to Those beyond for Their appeasement whenever you shall Open the Gate as before taught. (Make the triple genuflection and Seal with the Sigil of Koth at Their coming).

The glittering Powder of Desiccation may be formulated from the remains if pulverised in the day and hour of Saturn and combined with the ochre of the earth, salt and sulphur.

Mummia can be produced by sprinkling the powder upon any corporeal being.

Special Thanks to De Web Mysteriis for the following...

Book Of Ye Dead Names

Book Of Ye Old Ones

Book Of Places

Book Of Summonning

Book Of Materials

Book Of Signs

Book Of Rituals

This is an original sumerian form of the Conjuration "Binding of the Evil Sorcerers". But I have heard
that the first line was left out, because this can be a very dangerous spell.
If anyone owns the real complete spell, please contact me!

Alsi ku nushi ilani mushiti
Itti kunu alsi mushitum kallatum kuttumtum
Alsi bararitum qablitum u namaritum
Ashshu kashshaptu u kashshipanni
Eli nitum ubbiraanni
Ili-ia u Ishtari-ia ushis-su-u-eli-ia
Eli ameri-ia amru-usanaku
Imdikula salalu musha u urra
Qu-u imtana-allu-u pi-ia
Upu unti pi-ia iprusu
Me mashtiti-ia umattu-u
Eli li nubu-u xiduti si-ipdi
Izizanimma ilani rabuti shima-a dababi
Dini dina alakti limda
Epu-ush salam kashshapi-ia u kashshapti-ia
Sha epishia u mushtepishti-ia
Is mass-ssarati sha mushi lipshuru ruxisha limnuti
Pisha lu-u ZAL.LU Lishanusha Lu-u Tabtu
Sha iqbu-u amat limutti-ia kima ZAL.LU litta-tuk
Sha ipushu kishpi kima Tabti lishxarmit
qi-ishrusha pu-uttu-ru ipshetusha xulluqu
Kal amatusha malla-a sseri
Ina qibit iqbu-u ilani mushitum.

Translated version

Arise! Arise! Go far away! Go far away!
Be shamed! Be shamed! Flee! Flee!
Turn around, go, arise and go far away!
Your wickedness may rise to heaven like unto smoke!
Arise and leave my body!
From my body, depart in shame!
From my body Flee!
Turn away from my body!
Go away from my body!
Do not return to my body!
Do not come near my body!
Do not approach my body!
Do not Throng around my body!
Be command by Shammash the Mighty!
be command by Marduk, the Great Magician of the Gods!
Be command by the God of Fire, your Destroyer!
May you be held back from my body!

For More Incantations and Spells click on the image below....

Biography Of H.P Lovecraft

(1890-1939)

Howard Phillips Lovecraft was born at 9 a.m. on August 20, 1890, at his family home at 454 (then numbered 194) Angell Street in Providence, Rhode Island. His mother was Sarah Susan Phillips Lovecraft, who could trace her ancestry to the arrival of George Phillips to Massachusetts in 1630. His father was Winfield Scott Lovecraft, a traveling salesman for Gorham & Co., Silversmiths, of Providence. When Lovecraft was three his father suffered a nervous breakdown in a hotel room in Chicago and was brought back to Butler Hospital, where he remained for five years before dying on July 19, 1898. Lovecraft was apparently informed that his father was paralyzed and comatose during this period, but the surviving evidence suggests that this was not the case; it is nearly certain that Lovecraft's father died of paresis, a form of neurosyphilis.

With the death of Lovecraft's father, the upbringing of the boy fell to his mother, his two aunts, and especially his grandfather, the prominent industrialist Whipple Van Buren Phillips. Lovecraft was a precocious youth: he was reciting poetry at age two, reading at age three, and writing at age six or seven. His earliest enthusiasm was for the Arabian Nights, which he read by the age of five; it was at this time that he adapted the pseudonym of "Abdul Alhazred," who later became the author of the mythical Necronomicon. The next year, however, his Arabian interests were eclipsed by the discovery of Greek mythology, gleaned through Bulfinch's Age of Fable and through children's versions of the Iliad and Odyssey. Indeed his earliest surviving literary work, "The Poem of Ulysses" (1897), is a paraphrase of the Odyssey in 88 lines of internally rhyming verse. But Lovecraft had by this time already discovered weird fiction, and his first story, the non-extant "The Noble Eavesdropper," may date to as early as 1896. His interest in the weird was fostered by his grandfather, who entertained Lovecraft with off-the-cuff weird tales in the Gothic mode.

As a boy Lovecraft was somewhat lonely and suffered from frequent illnesses, many of them apparently psychological. His attendance at the Slater Avenue School was sporadic, but Lovecraft was soaking up much information through independent reading. At about the age of eight he discovered science, first chemistry, then astronomy. He began to produce hectographed journals, The Scientific Gazette (1899-1907) and The Rhode Island Journal of Astronomy (1903-07), for distribution amongst his friends. When he entered Hope Street High School, he found both his teachers and peers congenial and encouraging, and he developed a number of long-lasting friendships with boys of his age. Lovecraft's first appearance in print occurred in 1906, when he wrote a letter on an astronomical matter to The Providence Sunday Journal. Shortly thereafter he began writing a monthly astronomy column for The Pawtuxet Valley Gleaner, a rural paper; he later wrote columns for The Providence Tribune (1906-08) and The Providence Evening News (1914-18), as well as The Asheville (N.C.) Gazette-News (1915).

In 1904 the death of Lovecraft's grandfather, and the subsequent mismanagement of his property and affairs, plunged Lovecraft's family into severe financial difficulties. Lovecraft and his mother were forced to move out of their lavish Victorian home into cramped quarters at 598 Angell Street. Lovecraft was devastated by the loss of his birthplace, and apparently contemplated suicide, as he took long bicycle rides and looked wistfully at the watery depths of the Barrington River. But the thrill of learning banished those thoughts. In 1908, however, just prior to his graduation from high school, he suffered a nervous breakdown that compelled him to leave school without a diploma; this fact, and his consequent failure to enter Brown University, were sources of great shame to Lovecraft in later years, in spite of the fact that he was one of the most formidable autodidacts of his time. From 1908 to 1913 Lovecraft was a virtual hermit, doing little save pursuing his astronomical interests and his poetry writing. During this whole period Lovecraft was thrown into an unhealthily close relationship with his mother, who was still suffering from the trauma of her husband's illness and death, and who developed a pathological love-hate relationship with her son.

Lovecraft emerged from his hermitry in a very peculiar way. Having taken to reading the early "pulp" magazines of the day, he became so incensed at the insipid love stories of one Fred Jackson in The Argosy that he wrote a letter, in verse, attacking Jackson. This letter was published in 1913, and evoked a storm of protest from Jackson's defenders. Lovecraft engaged in a heated debate in the letter column of The Argosy and its associated magazines, Lovecraft's responses being almost always in rollicking heroic couplets reminiscent of Dryden and Pope. This controversy was noted by Edward F. Daas, President of the United Amateur Press Association (UAPA), a group of amateur writers from around the country who wrote and published their own magazines. Daas invited Lovecraft to join the UAPA, and Lovecraft did so in early 1914. Lovecraft published thirteen issues of his own paper, The Conservative (1915-23), as well as contributing poetry and essays voluminously to other journals. Later Lovecraft became President and Official Editor of the UAPA, and also served briefly as President of the rival National Amateur Press Association (NAPA). This entire experience may well have saved Lovecraft from a life of unproductive reclusiveness; as he himself once said: "In 1914, when the kindly hand of amateurdom was first extended to me, I was as close to the state of vegetation as any animal well can be...With the advent of the United I obtained a renewal to live; a renewed sense of existence as other than a superfluous weight; and found a sphere in which I could feel that my efforts were not wholly futile. For the first time I could imagine that my clumsy gropings after art were a little more than faint cries lost in the unlistening world."

It was in the amateur world that Lovecraft recommenced the writing of fiction, which he had abandoned in 1908. W. Paul Cook and others, noting the promise shown in such early tales as "The Beast in the Cave" (1905) and "The Alchemist" (1908), urged Lovecraft to pick up his fictional pen again. This Lovecraft did, writing "The Tomb" and "Dagon" in quick succession in the summer of 1917. Thereafter Lovecraft kept up a steady if sparse flow of fiction, although until at least 1922 poetry and essays were still his dominant mode of literary expression. Lovecraft also became involved in an ever-increasing network of correspondence with friends and associates, and he eventually became one of the greatest and most prolific letter-writers of the century.

Lovecraft's mother, her mental and physical condition deteriorating, suffered a nervous breakdown in 1919 and was admitted to Butler Hospital, whence, like her husband, she would never emerge. Her death on May 24, 1921, however was the result of a bungled gall bladder operation. Lovecraft was shattered by the loss of his mother, but in a few weeks had recovered enough to attend an amateur journalism convention in Boston on July 4, 1921. It was on this occasion that he first met the woman who would become his wife. Sonia Haft Greene was a Russian Jew seven years Lovecraft's senior, but the two seemed, at least initially, to find themselves very congenial. Lovecraft visited Sonia in her Brooklyn apartment in 1922, and the news of their marriage on March 3, 1924, was not entirely a surprise to their friends; but it may have been to Lovecraft's two aunts, Lillian D. Clark and Annie E. Phillips Gamwell, who were notified only by letter after the ceremony had taken place. Lovecraft moved into Sonia's apartment in Brooklyn, and initial prospects for the couple seemed good: Lovecraft had gained a foothold as a professional writer by the acceptance of several of his early stories by Weird Tales, the celebrated pulp magazine founded in 1923; Sonia had a successful hat shop on Fifth Avenue in New York.

But troubles descended upon the couple almost immediately: the hat shop went bankrupt, Lovecraft turned down the chance to edit a companion magazine to Weird Tales (which would have necessitated his move to Chicago), and Sonia's health gave way, forcing her to spend time in a New Jersey sanitarium. Lovecraft attempted to secure work, but few were willing to hire a thirty-four-year-old-man with no job experience. On January 1, 1925, Sonia went to Cleveland to take up a job there, and Lovecraft moved into a single apartment near the seedy Brooklyn area called Red Hook.

Although Lovecraft had many friends in New York--Frank Belknap Long, Rheinhart Kleiner, Samuel Loveman--he became increasingly depressed by his isolation and the masses of "foreigners" in the city. His fiction turned from the nostalgic ("The Shunned House" (1924) is set in Providence) to the bleak and misanthropic ("The Horror at Red Hook" and "He" (both 1924) lay bare his feelings for New York). Finally, in early 1926, plans were made for Lovecraft to return to the Providence he missed so keenly. But where did Sonia fit into these plans? No one seemed to know, least of all Lovecraft. Although he continued to profess his affection for her, he acquiesced when his aunts barred her from coming to Providence to start a business; their nephew could not be tainted by the stigma of a tradeswoman wife. The marriage was essentially over, and a divorce in 1929 was inevitable.

When Lovecraft returned to Providence on April 17, 1926, settling at 10 Barnes Street north of Brown University, it was not to bury himself away as he had done in the 1908-13 period; rather, the last ten years of his life were the time of his greatest flowering, both as a writer and as a human being. His life was relatively uneventful--he traveled widely to various antiquarian sites around the eastern seaboard (Quebec, New England, Philadelphia, Charleston, St. Augustine); he wrote his greatest fiction, from "The Call of Cthulhu" (1926) to At the Mountains of Madness (1931) to "The Shadow out of Time" (1934-35); and he continued his prodigiously vast correspondence--but Lovecraft had found his niche as a New England writer of weird fiction and as a general man of letters. He nurtured the careers of many young writers (August Derleth, Donald Wandrei, Robert Bloch, Fritz Leiber); he became concerned with political and economic issues, as the Great Depression led him to support Roosevelt and become a moderate socialist; and he continued absorbing knowledge on a wide array of subjects, from philosophy to literature to history to architecture.

The last two or three years of his life, however, were filled with hardship. In 1932 his beloved aunt, Mrs. Clark, died, and he moved into quarters at 66 College Street, right behind the John Hay Library, with his other aunt Mrs. Gamwell in 1933. (This house has now been moved to 65 Prospect Street.) His later stories, increasingly lengthy and complex, became difficult to sell, and he was forced to support himself largely through the "revision" or ghost-writing of stories, poetry, and nonfictions works. In 1936 the suicide of Robert E. Howard, one of his closest correspondents, left him confused and saddened. By this time the illness that would cause his own death--cancer of the intestine--had already progressed so far that little could be done to treat it. Lovecraft attempted to carry on in increasing pain through the winter of 1936-37, but was finally compelled to enter Jane Brown Memorial Hospital on March 10, 1937, where he died five days later. He was buried on March 18 at the Phillips family plot at Swan Point Cemetery.

It is likely that, as he saw death approaching, Lovecraft envisioned the ultimate oblivion of his work: he had never had a true book published in his lifetime (aside, perhaps, from the crudely issued The Shadow over Innsmouth [1936]), and his stories, essays, and poems were scattered in a bewildering number of amateur or pulp magazines. But the friendships that he had forged merely by correspondence held him in good stead: August Derleth and Donald Wandrei were determined to preserve Lovecraft's stories in the dignity of a hardcover book, and formed the publishing firm of Arkham House initially to publish Lovecraft's work; they issued The Outsider and Others in 1939. Many other volumes followed from Arkham House, and eventually Lovecraft's work became available in paperback and was translated into a dozen languages. Today, at the centennial of his birth, his stories are available in textually corrected editions, his essays, poems, and letters are widely available, and many scholars have probed the depths and complexities of his work and thought. Much remains to be done in the study of Lovecraft, but it is safe to say that, thanks to the intrinsic merit of his own work and to the diligence of his associates and supporters, Lovecraft has gained a small but unassailable niche in the canon of American and world literature.

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